The Royal Tenenbaums

2001 / Wes Anderson > The Royal Tenenbaums is ridiculous yet tactful, endearing when necessary and endlessly cathartic. It spends some time intriguingly setting up the familial landscape before falling back to let the action commence. It's not immediately apparent that there's anything here beyond Anderson's peculiar directing methods until he blitzkriegs into the last third of the film. One scene after another crescendos—without pomp—into a collusive, heartwarming and/or heartbreaking whole that delivers the knockout punch. A stellar cast and spotless performances, a concise and elegant screenplay and pitch perfect cinematography contribute to a sly and wry final product that supersedes its components into the annals of film history.


In the Mood for Love

2000 / Wong Kar-Wai > No matter how many times it's viewed, In the Mood for Love never fails to impress and evoke: Incredible performances from Maggie Cheung/Tony Leung, gorgeous cinematography by Christopher Doyle/Mark Li and the haunting music of Shigeru Umebayashi/Michael Galasso come together to complete Wong Kar-Wai's masterpiece about unrequited love.

Never has a film mesmerized as much as it has made the heart ache. There's a wondrous beauty in its concepts of time and space between a man and a woman, of hope and fulfillment vs. respect and duty. And it's absolutely fantastic when rain starts to fall.


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