3.0, Korea

The Man from Nowhere

New York Asian Film Festival2010 / Lee Jeong-beom > Though the title hints at classic film noir, The Man from Nowhere is a clear-cut actioner with brutal and often exciting fight sequences mixed with overflowing emotional padding. Aside from a seemingly complex plot that has no real consequence, there are simply too many long shots with sorrow-filled melodies to take the film seriously. In retrospect, I’m convinced that the 6.2+ million tickets sold in its domestic market have been due to star Won Bin’s abs. But his glowing stomach aside, the film effectively works as a melodramatic version of Taken. There’s no doubt that if you could trim some of that sentimentality, the outcome would be far superior.


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